
During the spring season, I volunteer as a coach for a local teen mountain biking team. This local team is under the umbrella of a national organization called NICA – The National Interscholastic Cycling Association, which has pretty rigorous training for its 3 levels of coaches. A few years ago, I was introduced to the idea of “Challenge by Choice” in a training session. I got excited about this concept especially when I saw it put into practice because I knew it directly related to piano teachers.
I think the “Challenge by Choice” concept could help us completely reframe the way we see and even teach some of our students, especially ones who don’t practice, get very little practice, or just don’t have a good support system in their home to practice regularly.
I’ve had mixed feelings over the years about students who don’t practice or get little practice.
Perhaps you too have experienced these things:
- Guilt – I feel like I’m somehow wasting the parents’ money because the kids just aren’t making much progress.
- Frustration – If you don’t practice at home, how do you expect to get better? I get irritated that I have to reteach the same concepts over and over.
- Resentment (leading to labeling) – These students are taking up valuable lesson time I could be giving to another, more “optimal” student. So I secretly label them as the “first to go” if I need to pare down.
- Judgment – How can parents be so laid back and “lazy” about practice? Is there any structure in the home?
- Disapproval – Clearly practicing is the only “right” thing to do during the week (or so I thought). Subconsciously, I’ve disapproved of any other activity or sport besides piano.
- Insecurity – I compare myself with other piano teachers whose students all seem to practice.
Does anyone else feel this way when your students don’t practice?
But when I heard about “Challenge by Choice” through NICA, and saw it in action, it helped me reframe my attitude toward these students and their parents.
“Challenge by Choice” is a concept where the rider decides how much they want to push themselves at a practice or race. (They can even decide last minute that they don’t want to race!) Every practice includes skill building, of course. We play lots of games to build these skills. Every practice includes riding that helps build skills and endurance. And we certainly encourage our riders to ride their bike and practice at home. But how hard or how fast a teen rides is dependent on the rider, not the coach. Whether or not they take the difficult line or the easier line on the trail is up to them. Of course, the coach can encourage or challenge the rider, but it’s never supposed to be done with any kind of coercion, guilt, or assumption that the rider is there to win a race!
Rather, the mission of NICA is to help youth develop strength, resilience, and character, while pedaling with a supportive and inclusive community. There’s no mention of winning, or even trying to win a race. I’ve heard it said that our coaches want the riders to:
Enjoy riding their bike so that they enjoy riding for a lifetime!
Now, doesn’t that sound familiar?! Isn’t the real reason we want our kids in piano lessons is so that these kids will enjoy playing the piano both now and in the future, for the rest of their life? We know most of them will not be a concert pianist, most won’t be teachers, and most won’t play in some kind of ensemble.
But that’s not what’s important, is it?
What’s important is that they enjoy making music now so that they’ll enjoy making music the rest of their life!
So if it takes them 12 months to get the same skills as someone who gets those skills in 2 months by regularly practicing…that’s okay! As long as they are enjoying making music.

Let’s Talk About the Parents
As I said before, I used to worry that parents would think about how they had wasted their money if their child didn’t achieve a certain skill level. That might be true of some parents. But do you know what our mountain biking parents want?
Most of them just want their child to have a safe space where their teen can:
- Learn to ride a bike safely
- Have positive adult influences in their life (since parents have less influence as they get older)
- Be encouraged by adults (but not demoralized or yelled at like they are in many other sports)
- Find friends in an outside-of-the-mainstream sport (piano can be like this too!)
- Experience a regularly occurring, positive atmosphere
Doesn’t that sound a little like piano?
Of course, there are some parents who want you to push their child and some students who want to push themselves! We’re not talking about those parents or students here. This is just a different way to think about our non-practicing students.
Different Goals for Different Riders/Students
After initial skills are built, mountain biking practices begin with everyone riding together at a slow tempo. Later, we divide into at least 3 groups depending on how much a rider wants to push themselves. And then we usually end with a game to help build skills. There are multiple coaches that ride with each group and we have coaches that may coach the fastest group one week and the slowest group the next. But the riders are always given the freedom to challenge themselves.
We try to never pressure them to “win” a race. We just want them to get out there and try to accomplish whatever goal they have. Some riders want to win. Some riders just want to beat their friend on another team (yes, they compete with each other but are still friends). Others just want to complete one lap instead of two laps that faster riders complete. Others just want to make it up a long hill without getting off their bike!
And still others just want to play the games and have fun with their friends! (Think group lessons and duets!)
The Best Part of the Mountain Bike Race?
But by far, the best part of every single race event is when the race director comes around to all the team tents and says, “We have one more rider out still on the course, let’s bring them in with all we’ve got!” And everyone runs to the race chute to cheer that last rider in – just as if they are “winning” the race.
I often find myself crying with joy when I see the slowest of the riders finishing with tenacity. Or the rider that had a flat and had to walk her bike all the way back. Or one of my riders that has met their goal, however different their goal was from other riders.
In the end, both the podium finishers and those who just did their best are all winners, aren’t they? They are out there getting fit, enjoying life, making friends, achieving goals, and even missing their goals and learning from it. They are out there riding. If they love riding their bike now, we know that they’ll keep riding it through their lifetime.
And we can say something similar about our non-practicing students every week. “They are here enjoying lessons. They are hear learning, even if slowly. And I am hear helping know how to better enjoy the process of making music.” What a beautiful thing!
Reframing Lessons With Non-Practicers
So if you have some non-practicers in your studio, I think it’s okay to just relax a bit. Take a minute to find out what their goals are, even if they are tiny little goals. Talk to the parents to find out what their goals are. Make sure you aren’t forcing your own goals without any input from them. Of course, we have to help create a path for each of our students that is responsible and professional. But we can create a responsible path for any goal at the piano!
Because even if your students are making the slowest progress, they are still taking lessons. You are still a positive, consistent influence in their life. They are enjoying making music. And if they are enjoying it, they’ll probably keep playing the rest of their life.
Maybe they’ll only get to the late elementary level. But those 2, 3, 6, 7 years with you are going to be formative. You might be the most influential person in their life. And I’ll bet when they are done with lessons with you, they’re going to have at least some skills to keep playing for the rest of their lives!

I loved this post! This is exactly what I needed to hear. Thank you!!
This is excellent! I think it should be required reading for all of us, with reminders to review it every year or so ❤️.
Thank you for this post. It’s such a helpful attitude adjustment!
This is so helpful! I can completely relate to the frustration of teaching kids who don’t practice or move slower than other students. I also feel like I’m disappointing their parents/wasting their parents’ money if I don’t have “significant progress” (whatever that looks like)!
But as a parent, my kid is doing his first musical. I don’t care if he has a speaking part, let alone if he’s one of the leads. I want him to enjoy it, to have fun, and to understand what it’s like to be a part of a musical.
This post has been so helpful to me in understanding where some of these parents are coming from even if their student’s progress differs from the schedule of the “perfect practicer” piano student. Thanks for helping me to remember that what I’m doing is valuable to both the student and parent.
This is so helpful! Such a positive outlook! I love it!! I would love all my parents to have this attitude. I’ve lost talented kids over the years because of the parent(s) not being happy about how little they practiced.
I sometimes have to remind myself that my primary goal is to teach children. Hopefully I’ll help them each to love music, but even if they never play again (horrors!), I will know that I did my very best to help them have a positive experience with me and have helped them gain more confidence and joy in their lives.
Very good and interesting!
Thanks so much for helping us teachers see things from a better perspective than we are typically seeing. I’ve fallen into all of those thinking patterns (traps) before. My kids just started a mountain biking team and they’ve only been half heartedly attending, so it really made me see the bigger picture better looking at it from this way!!
Thank you for your thoughts. Many of my students are so busy, with an activity after school every day and some multiple activities: dance, kick boxing, Japanese school, swim team. They come tired out. It is a challenge to make the best use of the lesson time and help the students feel proud of themselves and satisfied with the amount of progress they are making.
This is so helpful Wendy! Thank you! Helps to keep it all in perspective for sure!
Thank you for your words of wisdom. It reminds me that every student is unique and has different God given talents and we should recognize that in how we approach person that we are working with.
Thank you! This has been my approach all along. Your comparison with the mountain biking is such a great way to make your point. My proudest moments are when a parent tells me their son or daughter plays with joy as an adult, years, maybe decades after they had lessons with me.
I love this! You’ve expressed so well a philosophy I’ve tried to embody in my teaching. I love the parallels. I think it’s more common amongst parents and kids today to see piano as another activity to experience along the path to adulthood and if they latch on and enjoy it, that’s great and if they don’t, oh well. More so than a focus on skill development for a life long pursuit. If they are happy to keep coming and keep experiencing, I try to work with that and encourage them at the pace they want to go.
Thank you for this article! It’s exactly what I needed to read today!
I love this…and it was exactly what I needed to read today! Thank you for sharing this important way of looking at things.
This is brilliant! I have adapted this and printed it off for all my students. It will go to all new students when they start! So helpful for teachers to see what students and parents actually want. And helpful for parents to see what is required for their goals.
I completely agree with this post. For most of my students, their end goal is not to perform at Carnegie Hall. And if any of my students expresses a desire to do so, I’ll happily refer them to a harder driving conservatory teacher. My goal is for my students to enjoy coming to lessons each week; to make progress at their own pace; and to develop a lifelong love of making music. One of my long time students had ebbs and flows in their dedication to playing and practicing over the 10 years we worked together. In fact, they even wrote their college essay about how they almost dropped lessons only to stick it out, persevering, practicing more, and learning how to maximize their own enjoyment of piano in the process. I was described at the end of the essay as a mentor and friend. What could be better than that? (And they got into their first choice college, too!)
I absolutely love this article! It puts a positive slant on a frustrating issue for the teacher. At the bottom of my studio weekly assignment sheet, I include “My personal goal this week is: __________________________”. At the end of each lesson, the student writes a goal, which could be just about anything related to music making. I have the student sign her or his name to make it official. At the next lesson, I check up on the personal goal before diving into the challenges that I put forth. This one-liner has engendered greater responsibility and ownership.
I have one student who doesn’t practice and he has come to me for lessons for 9 years. I have learned over the years to enjoy his presence at the lesson and to instill in him as much learning as I can, but I have really relaxed my expectations and just have fun with him.
I have to admit, I didn’t have ‘Wendy Stevens coaches mountain biking’ on my bingo card today. Or this year. Or ever. 😎 But I love this analogy, and appreciate it (practicing piano/sports in general) especially because this kind of reframing is something my husband and I have shared between ourselves through the years. I teach piano and he coaches nordic skiing (and also mountain bike techniques, bike repair, training, etc). Each of us has learned so much from the other, and in fact he tells his ski classes that he learned how to teach skiing from his piano teacher wife. Also, and this is kind of a fun outcome: the symphonic wind ensemble I perform with has an auction each fall called ‘Meet the Winds’ where band members offer their services, arts, crafts, skills, etc to raise money for the band. Not only do I donate piano lessons and garden coaching (another of my hats), but now my husband donates a guided mountain bike ride each year too. He also donates this for our state MTA conference silent auction. I’m going to print out this article for him to read. I know he will appreciate it. Thanks for sharing your always—wonderful insights with us, Wendy.
Good thoughts! For those who are MTNA members, check out Brian Shepard’s column at the beginning of the latest AMT magazine. It picks right up on this idea. I always have students listen to a recording or watch a YouTube video at every lesson because I’m interested in creating music consumers as well as performers. It makes me happy when they tell me that’s one of their favorite activities. YES!
Thank you, Wendy! I have been struggling with these issues and you named every single one! I have reworded your definition of “Challenge of Choice” to work with my students and am definitely going to share this with my students this week! I really appreciate how this was specific to my situation and gave me solutions.
Hello. Thank you for your thoughts. But I agree and disagree. Or maybe that I am confused would be a better way to put it. At a certain point 13-16 year old teens don’t want to play games.
As I have really relaxed and lower my expectations, I find myself lacking for anything to do the last 8-10 minutes. Sometimes I just want to send them out the door, but there parents paid for the full slot. Thoughts? Help?
Thanks so much.
I love this so much!!!!! I have found myself privately frustrated with parents who don’t support home practice, and won’t remind the student to bring their books. Your article has helped me release it! And this affirms the mindset I have for my practicing students, too:
Just tonight one of my academically-advanced sophomores told me he has a crazy amount of homework every night, and it doesn’t look like it’s going to lighten up over the next few months. He was apologetic about not practicing every day, and seemed sad. I suggested we make haste more slowly for a while, and let him choose two of the pieces he’s been working on–one nearly mastered, the other fairly new. He was relieved, and I got one of his rare smiles. Students have enough stress. We can take opportunities to show them what a gift music is to the spirit!
Hi Jimmi,
Thank you for sharing your thoughts! Games were only mentioned as what we do on the mountain biking team as a way of building skills! I’m not saying that playing games in piano lessons are the answer. That’s certainly something you could do, but is not appropriate with all students. So please don’t let the paragraph about mountain biking games get in the way.
The point of the article is about changing our perspective which will then change our attitude toward the student and may even change what we do with them, how we talk to them, and how productive the lesson is! It’s so easy to just see things from OUR perspective. But there are many other legitimate perspectives that can help us reframe how we see these types of students.
As an aside:
If you are looking for things to do in a lesson with extra time, here are some ideas: improvising (show them an easy chord progression and a few notes they could play on top of it), improvising a duet with you (I highly recommend Forest Kinney’s Pattern Play series), doing a Rhythm Cup Explorations® page with the fun music tracks, etc. It’s also helpful to chat with the student about THEIR goals and then that might help you find out what kind of music THEY like to play. Maybe that extra time could be used to help them with an extra piece that they choose. Find out what the parents’ goals are.
There are lots of ideas out there, but the point of the article is to reframe how we see these students, consider that parents might have less lofty goals than we have, learn what the students’ goals are, and then let all of those things inform what we do.
This is excellent! I’m a singing teacher, and it’s the same for me. Some kids come to lessons prepared, have thoughtful questions and are keen learners; others forget their music, and even if they are attentive and work in the lesson, they don’t do anything between lessons. “Progress” is slow. But they do come to lessons, prepare for recitals, and sign up again next year – and sometimes actually apply themselves, and enjoy those results. My main goal is for singers to develop confidence and healthy skills for a lifetime of happy singing. Their timetable for anything beyond that might be different from mine, and it’s important to remember that. .
I don’t know why piano teachers are so hung up on home practice . My acrobatics teachers aren’t, my yoga teacher isn’t, my gymnastics coaches aren’t, what is our problem?
Home practice is a lifelong skill that has to be taught and learned forever, every new piece has to be learned in a new way, every change in life requires readjusting practicing, I myself have to reinvent my practicing continually. Musicians practice, but our students may not be there yet. Isn’t it our job to bring them into the fold, not to guilt them away?
So your student doesn’t practice? Big deal. Deliver a memorable lesson and get some music going. Eventually, if you help create a musician, practicing will happen. Meanwhile, sell the joys and glories of playing right now. Let’s stop excluding people from music based on practicing.
Thank you Wendy! This is an excellent article! Would you print write this out as a printable article geared toward piano students and parents instead of toward teachers for us to hand out to all our students? Maybe time it so that we could give it out in January at the start of the year? I’d love it if there was a small section at the end that students or parents could fill in so they could check off what their goals were and also a section that they could add additional comments. If it isn’t too long parents will read it. I have trouble getting them to read anything too long though!