The Real Reason Teens Are Quitting Your Studio

The Real Reason Teens are Quitting Piano – Part 1

I’m so excited about this guest post by Tim Topham! Tim has a fantastic blog that specializes in helping teachers teach and find music for boys and teens more effectively. I get a lot of questions about how to deal with teens quitting piano lessons and today’s post has insightful and useable advice!

Are Your Teens Quitting Piano? Here’s how to motivate them:

Is it just me or is it getting harder to stop teens quitting piano lessons?

No one has any time, every after-school minute is jam-packed with activities, and despite the costs and logistics of piano lessons, practice always takes a back seat to everything else that’s going on.

Teacher: “So how did your practice go this week, Luke?”

Luke: “I didn’t really get any time” (cue: sheepish look)

Teacher: “Really? Not even 30 minutes on the weekend?”

Luke: “Well I had to play basketball for school on Saturday morning and then on Sunday it was football with my local club and then my grandparents were down from the country and we had to do things with them all afternoon and then my best friend came over and…”

You get the idea.

The real issue for students like Luke is motivation. If our students are really motivated to play, they’ll make the time for it. Won’t they?

So how do you motivate teens?

Are teens quitting piano lessons? Learn how to stop this and encourage teen students. composecreate.comIs it about the music? Is it about how you teach? Is it about the connection they have with you? Is it about keeping it relevant? Is it just about helping them play pop music? It is about having fun and sharing some jokes? Is it about being the “cool” teacher?

In my experience, it’s a subtle combination of all the above, but with a focus on three key issues that that really stand-out if you’re wondering about teens quitting piano and how to avoid that:

  1. You aren’t teaching them music they want to play,
  2. You aren’t making music relevant,
  3. You aren’t keeping up with technology.

This blog series will focus on each of these factors in more depth, giving you a number of quick tips that you can immediately use in your studio to improve your connection with teen students.

Part 1: Teaching students the music they want to play

Here are my Top 3 Tips for this week:

  1. Ask your student what he/she would like to play and be open to teaching it – even if it’s outside your comfort zone. Listen to the music your students like together and work out an approach for learning it. Yes, you can use lesson time! I get really excited when students bring in new music that I’ve never heard of before. If you don’t let teenagers play at least a few pieces they want to learn, you’ll lose them very quickly. If they bring in a piece that’s way too hard for them, help them to simplify it. Even if they only learn the chord structure or the melody, they’ll re-engage in their learning and practice.
  2. Make sure you have LOTS of cool repertoire up your sleeve. Even if they choose a piece they want to play, you’ll need other options to keep them engaged in the middle-longer term. Teenagers love choice. You may need to play/demonstrate/show on YouTube a number of pieces before they find one that clicks with them. Search YouTube for ‘piano tutorials’ – these are normally the most popular pieces, but you’ll need to stay current. I’ll soon be releasing a blog article about how to find epic repertoire for your teens online – stay tuned at my blog for more info (links below).
  3. Admit that you don’t know everything! The days of teachers being wise ‘know-it-alls’ and students being empty vessels that need to be filled with knowledge are long gone! Share the learning journey with them as a facilitator.You’ll gain much more respect from students and a deeper connection with them and their music. In the process, you’ll grow as a teacher and isn’t that what effective teaching should be all about?

Ps. I’ve found that some teens who start out wanting to play pop music often lose interest in it after a while when they realise that great piano solos and classical music can be much more fulfilling to play. Use pop music as your “in” while you slowly introduce great piano solos into the mix. You’ll have them hooked!

Of course, there are many factors that can impact the relationship you have with your teen students and next week in Part 2, I’ll give you my top tips for developing better connections with your teens by helping make their lessons more relevant:

  • Using YouTube more effectively
  • How sport can enhance music practice
  • Giving teens the skills they need to play for life
  • How to think like a video-game maker when setting goals

To ensure you don’t miss Part 2, head to timtopham.com and subscribe to blog updates. If you’re looking for more ideas on motivating teenage students, to stop teens quitting piano lessons and can’t wait for Part 2, you can also check out my free eBook: Teen Teaching Toolkit – there’s a link to it on my website!

If you’re having success with your teens, I’d love for you to share some of your tricks and tips with other readers – please leave a comment below with your thoughts. Have you got some great repertoire ideas? Got a favourite teaching app to inspire teenagers? Know how to engage teen beginners in their first lessons?

To be continued…

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BIO:

tim topham - Why are teens quitting piano lessons? composecreate.com

Best known for his blog at timtopham.com where he has been sharing teaching resources, tips and repertoire ideas with piano teachers and students since 2011, Tim Topham is also a well-respected presenter, performer and accompanist. Tim is Head of Keyboard at Xavier College and has also taught in Western Australia, Tasmania and the United Kingdom. Tim holds an MBA in Educational Leadership, a Bachelor of Music, Diploma of Education and AMusA (Distinction). He has worked in education as a classroom teacher, private studio teacher, head of department and head of campus. His new eBook: Teen Teaching Toolkit may be downloaded from his website: timtopham.com.

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9 thoughts on “The Real Reason Teens Are Quitting Your Studio”

  1. Love this post! I totally agree about teaching them music they want to learn. I have a student who, on her own, got sheet music from “Frozen.” She was going to work on it on her own, but I told her I would/could help her with it in lessons. Her entire face lit up with excitement!

    Thanks for the great teaching tips! I’m excited to read Part 2.

  2. Great topic and great info! I have a 16-year-old who I regularly ask to put together a list of his 10-15 current favorite songs which I can spend time outside lesson searching out on the web. We’ll then spend time discussing which ones lend themselves well to the piano and why (melodic vs. rhythmic/repetitive vocal lines). He’s become quite good at identifying better options to request working on as part of our lesson time. We also identified a song he liked with a straight-forward, pulsing, 1950’s rock’n’roll piano chord accompaniment similar to Elton John’s Crocodile Rock. Together we arranged our own duet. He played the vocal line along with the chords, and I played a second octave of chords with the bass line. Finally, he worked on a really fun arrangement of the theme to The Simpsons (arranged by Dan Coates). We had a really interesting discussion about the composer Danny Elfman and how he began as a rock star with the 80’s band Oingo Boingo. Having him study-up on the timeline and famous songs in Danny Elfman’s catalog really helped bridge the gap in thinking about the “cool factor” of classical composers. Overall, I make sure we always have 1-2 songs he picks (and that I respect his choices) and 2-3 songs I pick in the works, and the give and take seems to really work great.

  3. I totally agree that keeping teens motivated means having them play what they want. I have a 14 year old who searches for videos of other kids playing pieces that he thinks could be cool, he brings all sorts of questionable arrangements of the pieces to his lessons and works tremendously hard to play them really well. I have been able to teach him about the importance of accurate rhythm, different voicing, some really complicated rhythms (because some of these arrangements weren’t done by people who know anything about making music readable). What is great is that each week he comes to the lessons really excited about what he is doing and his playing is going through the roof. For example one of the pieces he is learning is “Clubbed to Death.” It is from the Matrix movie. I would never have found it on my own.

  4. I am experiencing the same problems with teens too. It seems that once they enter Year 8 or 9 their focus shifts to their school studies, sport and socialising. I have kept many students in lessons by switching from intense notational pieces to easier pop music, sourcing most of the charts from http://www.ultimate-guitar.com. It’s not the best site, because I find myself editing every chart, but it’s easy to copy and paste it into a word document. If anyone knows of a better site I would love to hear about it. I teach a 17yr old boy who loves the romantic composers and on the flip side a 16yr old girl who loves Katy Perry. I tailor each lesson to suit both students and they love coming to lessons which in turn makes me love teaching them.

  5. Hi Gareth – sounds like you’re right on the ball. I also use Ultimate Guitar for chord charts – it’s definitely a good place to start. There are also app like iReal Pro that allow you to put chords in and play backing tracks along with pop pieces. Keep up the great work!

  6. Hi Sarah – thanks for your comment. I know what you mean about unplayable arrangements! Some of them are unbelievable, but the kids just work and work at them, don’t they? Sounds like your 14 year old has become really inspired by you encouraging him to play the music he wants to play – just what I’m on about. I know “Clubbed to death” – it was actually a piece I remember learning and arranging myself when the matrix came out. It’s actually quite Baroque in many ways – great piece to discuss harmony and chords too.

  7. Hi sara – sounds like you’re right into teaching teens effectively! I think I need to get some tips from you. Nice job. I’m sure your students will respond really positively to that kind of teaching. It’s all about being flexible and being willing to try new things, even if it’s a bit outside your own comfort zone. Keep it up 🙂

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