Mona Rejino, the composer for whom you may submit interview questions, has written a number of original pieces and arrangements for all levels of students. Her most recent pieces include “In the Groove” and Disney Film Favorites. For this post, […]
Favorite Pieces from Mona Rejino-Elementary Read More »
ASCAP has announced its competition for the Rudolf Nissim Prize for Composition. PRIZE: $5,000 FOR THE BEST ORIGINAL CONCERT MUSIC SCOREÂ REQUIRING CONDUCTOR Dr. Rudolf Nissim, who served as head of ASCAP’s Foreign Department for four decades, also established the Concert
ASCAP Rudolf Nissim Prize Read More »
Too often, when we only know someone in one context, they get stuck in our minds existing only in that specific context. Â Sometimes we see a teacher as someone always teaching, not someone who enjoys competitive cycling. Â Sometimes we see
Mona Rejino’s Life Outside Music Read More »
Thank you for coming to the “Nurturing Creativity and Inspiration” workshop today at Senseney! I really appreciate you taking the time to come and I hope you went away with something useful. I wanted to share more details about a
Wichita Workshop Follow-up Read More »
I hope you and your students are thinking of some questions to ask Mona for our composer interview! Â Please submit these in the comments section of this Composer Interview post. Â Here is a brief preliminary interview with Mona which discusses
Who is Mona Rejino? Things you may not know… Read More »
When I began my fall semester a few weeks ago, I told my students that they could each earn their own Erasable Highlighter to use in their home practice time if they demonstrated that they were practicing well at home (see
Evidence of Practicing Smartly Read More »
If you are a student composer, music teacher, or piano teacher, you will want to take advantage of this great opportunity to submit interview questions to a living composer! I’m sure you remember that last year, Kevin Costley was our
Your Chance to Interview Mona Rejino Read More »
Here is the final portion of “The Myths of Playing by Ear” by Bradley Sowash. Read Part 1 and Part 2. Myth #4 Improvising is only for jazz musicians. This one is easy to dispute. Playing by ear is downright
The Myths of Playing by Ear-Part 3 Read More »
Here is Part 2 of “The Myths of Playing by Ear” by Bradley Sowash.  Read Part 1 here. Myth #3 Only experts can teach ear skills. The biggest obstacle for students seeking ear skills is finding instruction. To illustrate this, let me
The Myths of Playing by Ear-Part 2 Read More »
I wanted to invite all my teaching friends to a workshop I will be giving entitled, “Nurturing Creativity and Inspiration.” Â This workshop will be on September 17th, at Senseney Music in Wichita from 9:30-11:30. Â The Wichita Piano Teacher League asked
“Nurturing Creativity and Inspiration” – Please join me! Read More »
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